
Once, when I took a picture of a homeless in Hamburg, I was asked by the police why I was photographing the homeless. They wanted to know why I show the bad sides of Germany. This was like a déjà -vu for me.You can watch the series of photos on homeless people in Germany from his gallery:
I don’t know a lot about the circumstances of poverty and homelessness in Germany. But whatever stands behind it: The begging child I met with his father affected me a lot. I believe that here, with a lot of money in the background, a job, care and support could be given to many people. Someone who sells a paper like Hinz & Kunzt, for example, doesn’t have to beg. Someone who has to beg cannot build up self-confidence and has no perspective for the future.

Akash explains:
In my homeland, friends, relatives, and other photographers often asked me: “Why do you only show the bad sides of Bangladesh? “But this was never my intention. Having a son that is delinquent, you have to be hard and strict towards him to keep him from the bad. You do this because you love him. This is the same I feel for Bangladesh: I love my country and I show things that should be change(d) positively.One of his photos has recently won the prestigious Gordon Parks Photography Competition 2007.
(All photos copyright GMB Akash)